RSS Feed

Comica Festival

Comica Social Club

Twitter

A COMICA REVIEW BY:

THE LONDON PAPER


The London Paper published the following Comica feature by Jessica Holland on Tuesday, November 11 2008.

The Big Show: Comica
The genre’s top artists are in town for a graphics fest.

Ian Rankin’s new book isn’t quite like the rest of his output. Expected out next summer, it’s the latest in the comic-book series Hellblazer - and just one more sign that comics are taking over the world.

“Comics got me interested in storytelling,” he says. ‘At an early age, I was trying to write the myself, but my drawings were terrible. Then, just when I was beginning to realise I wanted to be a professional writer, superhero comics were going through a period of real innovation, and I got excited about them all over again.”

Rankin is one of the many luminaries who will be appearing at Comica, a two-week celebration of the art form centred around the Institute of Contemporary Arts, with events at the V&A and Institut Fran├žais. Organised by expert Paul Gravett, it encompasses talks by seminal writers Alan Moore and Art Spiegelman, an underground comics fair, an anime double-bill, discussions, and an appearance by Daredevil artist Alex Maleev.

Gravett, a lifelong comics enthusiast and the author of The Leather Nun and Other Incredibly Strange Comics - a collection of bizarre book covers with titles like Amputee Love and The Girl Who Loved The Swastika - organised the first Comica six years ago. “It was a response to the fact that comics are spreading out in so many different directions. They’ve never been quite so multi-faceted.”

With an explosion of manga being translated into English, plus film adaptations from The Dark Knight to Persepolis and Iron Man hooking new fans, and writers such as Philip Pullman and Jodi Picoult turning their hands to the art form, comics are being accepted in the mainstream like never before. But there’s still a way to go.

“It’s a bit like Obama getting elected,” Gravett explains with a laugh. “These things can take a hell of a long time, but over time the understanding of comics and even the ability to read them evolves.” He cites Spiegelman’s Pulitzer Prize-winning Maus , which deals with the Holocaust, and Moore’s Watchmen , as examples of what can be achieved.

“You can’t tame this medium,” he says, confident that comics will never become so mainstream they lose their special appeal. “There’s no need to worry about gentrification because unconventional work is going to find other ways to get out. In the future, there will be plenty more material to put in a future book of Incredibly Strange Comics . I’m sure of that.”

Newsletter

Mailing list sign-up:


Comica Events

Latest News

Comica Festival 2014 Presents Transitions 5 Free Symposium at Birkbeck London

Get Your Selfie With Ricky Rouse At Comica Comiket!

Comica Festival Weekend at The British Library August 15th to 17th!

Call For Papers from Transitions 5 Comica Festival Symposium!

Enter the Cape/Observer/Comica Graphic Short Story Prize!

See All News

Reviews

"With Comica, the ICA is doing what it does best: reaching out to culture's fringe."
Kulture Flash

"Yet another fabulous evening."
Martin Eden

"...vastly informative and entertaining."
Kevin Fitzsimmons

"The ongoing stream of Comica-related events throughout the year spoils us..."
Andrew Salmond

"It was fascinating and welcoming..."
Mike Leader

"...a comprehensive, varied and exciting season that demonstrated the reach and diversity of the art form."
The Comics Journal

"Thank you, Paul Gravett, for another wonderful season of Comica!"
Sarah McIntyre

"...one of the most interesting and high quality celebrations of comics the country has ever seen."
Ninthart

"British preconceptions of graphic novels are changing as exhibitions such as Comica expose the challenging work out there."
Design Week

"...fascinating..."
Redrawn