2013 GRAPHIC SHORT STORY PRIZE
It's time to sharpen your pencils and your wits and have a bash at entering your four-page graphic short story to this year's 7th Cape/Observer/Comica Graphic Short Story Competition. Comica Festival will be holding the Prize Ceremony this autumn. The deadline is September 27th. Best of luck to you!
The 2013 winner is Emily Haworth-Booth for “Colonic” with Michael Parkin as runner-up with “Lines”. Congratulations to them both. Last night, Saturday October 26th, they both attended Comica at Central Saint Martins and were presented with their certificates and cheques by Joe Sacco. Rachel Cooke, a judge for this competition, profiles Emily and Michael in this Observer feature:
‘At 33, Emily Haworth-Booth, the winner of this year’s Observer/Cape/Comica graphic short story prize, has had a more tortuous journey to the finish line than most. At school, she always had problems with art, the teacher’s exercises – “Now draw this pile of crumpled fabric!” – regularly reducing her to tears. She didn’t study the subject at GCSE or A-level, and her degree at Cambridge was in English literature, after which she worked, among other things, as a receptionist in a cosmetic surgery hospital, tried her hand as a standup comedian, and collaborated with her sister on a line of underwear printed with funny slogans.
‘But, still: she found that she couldn’t quite leave art behind. Before Cambridge, there had been a year’s foundation course at Chelsea College of Art (she put together a portfolio while attending Saturday adult education classes); as a student, she found herself making little illustrated books, which she passed on to her friends; and once she had finished her degree, she enrolled for drawing lessons at the Prince’s School in Shoreditch, east London. In 2008, she was the runner-up in our competition – with a story called “What Do Other Married People Talk About” – and it was after that, she says, “I really knuckled down”. More classes at the Prince’s School followed, and in 2010 its artistic director, Catherine Goodman, asked her to develop and teach a new course, Drawing the Graphic Novel.
’ “I was pretty unqualified on paper, but she has an amazing instinct about what will work, and she took a chance on me. I love teaching, and I’ve learned so much from my students.” These days, Haworth-Booth spends three days a week at the school (she is now its communications editor), and four mornings a week working on her own comics; she tries to draft 12 panels each session. Among the comic artists she regards as inspirational are Chris Ware, Seth, Marjane Satrapi, Posy Simmonds, and Daniel Clowes: “I must have read Ghost World hundreds of times.”
‘Haworth-Booth’s winning story, “Colonic”, does what it says on the tin, its protagonist spending most of her time on her back with a large tube stuck up her backside; this year’s judges – the panel, which selected the winner from among some 180 entries, included novelist Joe Dunthorne and Stephen Collins, author of The Gigantic Beard That Was Evil – liked it mainly because it made us laugh out loud. Where did she get the idea? The therapist’s voice seems so real; surely “Colonic” must have been based on a real encounter. “It was! During 2011 and 2012, I suffered from chronic fatigue syndrome, or ME. My GP wasn’t any help, so I underwent all sorts of alternative healing practices, from the completely gross – colonic irrigation – to the sublime – silent retreats. As part of my recovery process, trying to understand what was happening and why, and to channel my frustration into something constructive – I started keeping a graphic diary of these encounters. The experience wasn’t quite as awful as I’ve made out, and I’ve edited, exaggerated and added to it, but I hope I’ve got to the emotional truth of the experience: how powerless you can feel during medical procedures and how surreal it is to be in such intimate contact with a complete stranger.” Haworth-Booth is now working on turning the rest of her diaries into a book, and her hope is that winning the prize will help her to find a publisher. “It’s really exciting that the small personal moment I describe has resonated with the judges, and I feel so honoured to be in the company of such talented previous winners as Stephen Collins and Isabel Greenberg.”
‘This year’s runner-up is Michael Parkin, whose story “Lines” – it begins simply, with a man on a boat, fishing – we liked for its beautiful use of colour, for its visual harmony, and for the clever twist at its end. Parkin is a third-year illustration student at Kingston University. “I was a little nervous about entering the competition,” he says. “I’ve seen the quality of some past winners. But this year, all my tutors and a few friends recommended I try.” Where did his story come from? “I came up with it when I was lying in bed, trying to go to sleep. The idea behind it is someone escaping from everyday life to get away from all the noise and distraction; on the water, they catch various versions of themselves, each representing a different characteristic or chapter of their life. Over time, they find out more and more, until the weight of what they have pulled up slowly drags them under.
‘What is Parkin’s plan for the future? “After university, I want to hit the ground running. I want to turn illustration into my career. Hearing I was runner-up was the best news. I was, and still am, over the moon.” ‘
You can also see this year’s five finalists’ stories on display in Foyles Cafe until November 16th.
Rachel Cooke (Literary Critic, Observer)
Suzanne Dean (Creative Director, Random House)
Dan Franklin (Publisher, Jonathan Cape)
Paul Gravett (Comica Festival Co-Director, Writer, Curator & Lecturer)
Stephen Collins (2011 Winner & author of The Gigantic Beard That Was Evil)
Joe Dunthorne (novelist, author of Submarine & Wild Abandon)
Here’s the feature by The Observer’s Rachel Cooke, judging once again, about the successes and opportunities this Prize can bring.
“No one can say that the Jonathan Cape/Observer/Comica graphic short story prize, now in its seventh year, doesn’t have an impact on those who win it – and even, sometimes, on those who are runners-up. To give you just a couple of examples: last year, our runner-up in 2009, Joff Winterhart, was shortlisted alongside Hilary Mantel for best novel in the Costa book awards for his wonderful graphic novel Days of the Bagnold Summer; meanwhile, Stephen Collins, who won the prize in 2010, is about to publish his first book, The Gigantic Beard That Was Evil, a story Raymond Briggs has already acclaimed as “amazing” and “completely original”.
“The super-talented Collins is one of our judges this year. He will join the regular panel (Dan Franklin, the publishing director of Jonathan Cape, Suzanne Dean, Random House’s creative director, Paul Gravett, co-director of the Comica festival, and yours truly), as well as novelist Joe Dunthorne (Submarine, Wild Abandon).
“Dunthorne’s comic habit, in case you’re wondering, began with the Beano, but it was thanks to McSweeney’s 13, edited by the great Chris Warecorrect, that he discovered graphic novels: “It’s still a brilliant compendium.” Among his favourites these days is Everything We Miss by Luke Pearson – “short, beautiful and incredibly sad” – which he found in the Shoreditch shop of its admirable publisher, Nobrow, and is about the dying days of a relationship and some omniscient six-legged creatures called Anurids. This is a good spot. Pearson is one to watch; last month, he drew his first New Yorker cover, which puts him in the same company as Art Spiegelman, Daniel Clowes and Adrian Tomine.
“I throw all these names into the ring by way of inspiration. We might as well set the bar high. If you’re thinking of entering, you will also want to take a look at Shorties, a free e-comic that includes a selection of favourite entries from 2007-11. But don’t, whatever you do, be intimidated. What have you got to lose by having a go? We want 2013 to be a bumper year and we hope to receive an avalanche of entries. The winner will receive a cheque for £1,000. The winning story will be published in the Observer New Review in November.”
And here’s a blog entry from Forbidden Planet International’s Joe Gordon - thanks for the coverage!