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A COMICA REVIEW BY:

THE LONDON PAPER


The London Paper published the following Comica feature by Jessica Holland on Tuesday, November 11 2008.

The Big Show: Comica
The genre’s top artists are in town for a graphics fest.

Ian Rankin’s new book isn’t quite like the rest of his output. Expected out next summer, it’s the latest in the comic-book series Hellblazer - and just one more sign that comics are taking over the world.

“Comics got me interested in storytelling,” he says. ‘At an early age, I was trying to write the myself, but my drawings were terrible. Then, just when I was beginning to realise I wanted to be a professional writer, superhero comics were going through a period of real innovation, and I got excited about them all over again.”

Rankin is one of the many luminaries who will be appearing at Comica, a two-week celebration of the art form centred around the Institute of Contemporary Arts, with events at the V&A and Institut Français. Organised by expert Paul Gravett, it encompasses talks by seminal writers Alan Moore and Art Spiegelman, an underground comics fair, an anime double-bill, discussions, and an appearance by Daredevil artist Alex Maleev.

Gravett, a lifelong comics enthusiast and the author of The Leather Nun and Other Incredibly Strange Comics - a collection of bizarre book covers with titles like Amputee Love and The Girl Who Loved The Swastika - organised the first Comica six years ago. “It was a response to the fact that comics are spreading out in so many different directions. They’ve never been quite so multi-faceted.”

With an explosion of manga being translated into English, plus film adaptations from The Dark Knight to Persepolis and Iron Man hooking new fans, and writers such as Philip Pullman and Jodi Picoult turning their hands to the art form, comics are being accepted in the mainstream like never before. But there’s still a way to go.

“It’s a bit like Obama getting elected,” Gravett explains with a laugh. “These things can take a hell of a long time, but over time the understanding of comics and even the ability to read them evolves.” He cites Spiegelman’s Pulitzer Prize-winning Maus , which deals with the Holocaust, and Moore’s Watchmen , as examples of what can be achieved.

“You can’t tame this medium,” he says, confident that comics will never become so mainstream they lose their special appeal. “There’s no need to worry about gentrification because unconventional work is going to find other ways to get out. In the future, there will be plenty more material to put in a future book of Incredibly Strange Comics . I’m sure of that.”

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Reviews

"Comica features some of the most highly regarded figures currently working in the form..."
The Observer

"British preconceptions of graphic novels are changing as exhibitions such as Comica expose the challenging work out there."
Design Week

"...hearing literary translators talk about their work reminded me of the immense difficulty, creativity and importance of the task."
The Financial Times

"The epitome of geekchic, it's most definitely worth checking out."
The Rough Guide To Graphic Novels

"...he's a natural storyteller. He can't seem to stop."
Paul Tierney

"The whole affair was very effective as an insight into the creative process of a genius."
Unified Review Theory

"...one of the cultural highlights in London's graphic novel calendar."
Joel Meadows

"5 Stars... a superb exhibition."
Time Out

"Guibert turned out to be a captivating speaker."
Sarah McIntyre

"There's always something interesting in Comica's raft of events..."
Joel Meadows